Four Wives—One Guy Directed by Nah

Four Wives—One Guy Directed by Nah

United states Institute for Yemeni Studies


2007, 76 mins, color. Created by Women Make films, 462 Broadway, fifth Floor, nyc, NY 10013, http: //www.

Four Wives—One guy is fundamentally in regards to a polygynous family members in rural Iran. It starts with two penned statements: “The Quran: ‘Marry two, three, or four spouses whenever you can manage sic it, ’” and “In Iran polygamy is available primarily in rural areas. ” These are followed closely by a dazzling scene of females and young ones joking and playing for a golden mountain of recently harvested grain. The movie continues with photographic shots of each and every of the four spouses, associated with noise bites of the very own sounds launching by themselves. Finally, we come across the spouse, Heda. Standing close to him is his son, subtly parodying his daddy’s stance, but there’s no sound that is accompanying to introduce him. Rather, we hear their old and feisty mother criticizing her son as only enthusiastic about intercourse. Doubting Heda the introduction that is formal their spouses is an imaginative cinematic put?down of an embarrassing character and a reversal of this typical training of launching guys, yet not females, by title.

The movie’s message is apparently the common problem among polygynous households—a guy whom marries an extra wife has a tendency to lose fascination with their very very very first spouse. The second wife and third wife each blames her unhappiness on the next wife, as if she herself had not upstaged an earlier wife as the wives continue to compete for Heda’s attention. Over and over repeatedly, they scapegoat each other. The fourth spouse praises Heda as a great spouse and declares, “I don’t be sorry for having hitched Heda, but i actually do be sorry for having married a guy with three spouses. ” Just Heda’s mom along with his very first spouse blame him for behaving irresponsibly. Heda is physically and verbally abusive, relentlessly teasing and arguing together with spouses, and threatening to marry just as before. He treats their young ones approximately. But we additionally see him using their family members for a picnic, tenderly cradling a new child that is sleeping having fun with their toddler, being affectionate along with his fourth spouse.

Regardless of their unhappiness, the ladies aren’t presented as passive victims. The next, 3rd, and wives that are fourth divorced once they came across Heda. They explain their initial reluctance to marry a man that is already married. Just the wife that is second forced to marry him by her moms and dads. One other two married Heda against their moms and dads’ desires. Most of the wives stand up for their husband once they feel necessary. The wife that is first no issue permitting Heda understand of her annoyance with him. We hear their spouses scold him for their mistakes that are financial for ignoring their young ones. One spouse defends her child’s dress whenever Heda accuses her of immodesty. Even though the spouses complain loudly of Heda’s numerous marriages, everyday life one of them includes scenes full of laughter and shared help along with bitter disputes.

Technically, numerous elements of this movie are aesthetically stunning. Its energy as ethnography is based on its depiction of rural life that is domestic. Material culture fans will take pleasure in its footage that is extraordinary of bread, household meals, carpeting weaving, furniture, livestock care, a household picnic, and ladies performing their frustrations while they work. A crucial thread operating through the very first 50 % of the movie could be the incessant bawdy humor among family unit members, including Heda’s senior mom. Not just is it funny, however it humanizes its topics and offers a glimpse that is rare the frank banter and humor that is therefore typical within families at the center East. The assertiveness and behavior associated with the females contradict typical stereotypes regarding the Muslim woman as target (cf. Laila Lalami, “The Missionary Position, ”The Nation, 19, 2006) june. On a few occasions, Heda’s spouses freely question his monetary judgment. Ziba asks Heda to create the dining table while a water is smoked by her pipe. On another event, he assists himself to tea. Demonstrably, their four wives don’t serve him always.